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January 2008
Table of Contents
Vol. 21, No. 1
Cover Story
Bonney Is Back
by Kathy Kuczka
Revered for her clear, clean singing and astounding ability to float those high, pianissimo money notes, Barbara Bonney shocked the singing community when she announced she was taking a break from singing. In this interview she reveals that after more than a year’s absence from the stage, she’s back, playing what she believes could be the best role of her life.
Special Features
Singers for Life
by Genette Freeman
If you fall into the “mature singer” category, finding a summer program fit can be a challenge. One program recognized this, and has created an innovative new program that offers training and much more.
Cedar Rapids Opera Theater - Ten Years of Bringing Professional Opera to Eastern Iowa
by Brian Manternach
Cedar Rapids Opera Theatre’s Young Artist Program is providing terrific opportunities for singers to work alongside seasoned professionals and learn the ropes of the business.
I Wanna Be a Producer... I Think
by Jill Anna Ponasik
If you’re looking for a summer adventure somewhat off the beaten bath, consider looking into a Fringe Festival in your area. One singer shares her experiences entering the arena of producer, and how she enjoyed being on the fringe.
Walking In Memphis - How One Singer Got Her European Audition Legs
by Diane Dietz
Are you considering a European audition tour, but need more information on the how-tos? One singer found just the answers she was looking for at a new summer program at the University of Memphis.
Five Weeks to Mastering the German Lied
by Armin Zanner
The Franz-Schubert-Institut turns 30 this year, and CS asked one of its recent participants to tell us about the program. From the beautiful Austrian town of Baden bei Wien to top-notch instruction on everything you need to know about Lied, this program has much to offer.
Summer on the Hill - The Seagle Music Colony
by Wes Mason
Singers have long had good things to say about their experiences at Seagle Music Colony. Located in the beautiful Adirondack mountains, the program boasts much more than just breathtaking scenery. One singer shares how three summers at Seagle have provided priceless opportunities.
Workshop Opera-tunities
by Megan Gloss
The Indiana University Jacob School of Music aims to educate voice students and teachers through a summer workshop that offers an assortment of masterclasses and multimedia presentations.
Summer Program Review
by Sara Thomas
Guest Artists
Not Just Whistling Dixie
by Maria Nockin
In this summer program issue we remember coach and teacher Dixie Ross Neill, who taught at many summer programs. One such program dedicated its final concert to Neill, remembering her for her dedication and commitment to young singers.
Fond Memories
by CS Staff
Those who lived with, worked with, knew, and loved Dixie Neill share their memories of this master coach and teacher.
Columns
Exploring the Link Between Singing and Leadership - Part 5
by Kay Kleinerman
Can increased self-awareness developed through successes—and failures—on stage help you become a more effective leader? In this final installment of this five-part series, participants in Kay Kleinerman’s study explore this question.
The Techno-Savvy Singer - Taking Opera to a Whole New Level of Chic
by Amanda White
In the first installment of Classical Singer’s new technology column, Amanda White sits down in front of her trusty iBook G4 for an instant message interview with the world’s foremost opera blogger, Opera Chic.
The Yeast Connection
by Anthony Jahn, M.D.
Is your throat dry, sore, or scratchy? Do you experience excess mucus or chronic hoarseness? The symptoms may indicate something different than just the common cold. Here’s Dr. Jahn with the scoop.
Ask Erda - Stay Cheap- Singer Cheap
by Cindy Sadler
In Part One of this series (see November 2007), Cindy Sadler outlined all you needed to know for flying within your budget. Now she tackles another travel topic: how to find low-cost yet comfortable accommodations. Don’t let that next audition trip break the bank.
Inspirazione! - Be a Green Singer
by Lisa Houston
What is the most basic ingredient for being a good singer? Talent? The right teacher? A musical upbringing? All of these these are important, but if you keep it really simple, there is something even more essential to good singing: good health–and one of the things that is essential to maintaining good health is a healthy environment. Since it’s the New Year (a time for clarifying your vision and reassessing priorities) let’s take a look at the singer’s most vital resource and think about stepping into the spotlight on environmental issues for what may be your most important role ever.
Echoes from the Forum
by CS Staff
A fundamental part of the online Classical Singer Community since its creation in 1998, the General Interest Forum is more than a resource. For classical singers and those interested in the art of singing it has become one of the most popular discussion panels available on the Web. Here are some quotes from some great moments this past month on the forum. Want to voice your opinion on something here or otherwise? Visit www.classicalsinger.com.
Book Review - 'Acting For Singers' by David F Ostwald
by Daniela Amini
Are you looking for ways to connect more fully with the text, to be more expressive in your performances and connect more fully with the audience? Check out this book from a longtime stage director with terrific tips to help you improve your acting abilities. You can also meet and work with David Ostwald at the Classical Singer Convention 2008.
Certified Classical Singers '07-'08
by CS Staff
After three intense rounds of competition among more than 200 applicants, the judges of the AudComps 2007 named 13 singers Certified Classical Singers for 2007-2008. This month, we feature soprano Misook Yun from the Professional Division and mezzo-soprano Veronica McHale from the Emerging Professional Division.
In Every Issue
Letters to the Editor
by CS Staff
Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020.
Center Stage - Thomas Forde, Bass-baritone
by CS Staff
Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
Editor's Note - Mixing Your Training Cocktail
by Sara Thomas
Bulletin Board
by Maria Nockin
Submit entries to the bulletin board by e-mail at bulletinboard@classicalsinger.com.
