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Carla Wood Memorial
Guestbook
October 2005
Table of Contents
Vol. 18, No. 10
Cover Story
Never the Diva - Carla Wood, 1955-2005
by David D. Wood
In this special edition, we pay tribute to the founder and Editor-in-Chief of Classical Singer magazine. Carla Wood (her singing name), also known as CJ Williamson (her editorial name), made an indelible mark on the world of singing. Her husband, David Wood, gives an insider’s look at her life and career as a singer, editor, wife, mother, and friend. Her life was one of many challenges— from back pain, to bipolar disorder, and finally to cancer—and yet she rose above these hardships to have a positive impact on tens of thousands of singers and forever change the business of singing. You can view singers’ comments about the life of Carla Wood, and add your own, at www.classicalsinger.com/carla_wood/.
Special Features
Remembering Carla
by CS Staff
Those who knew and worked with Carla share their memories of this unforgettable woman.
Guest Artists
John Newmark: Pianist, Mentor
by Katharine Kanter
Behind every great recital singer is a great pianist, and John Newmark, a master Lieder accompanist, was behind some of the best, including Maureen Forrester, Janet Baker and most famously, Kathleen Ferrier. In this interview, Michel Bourda, Newmark’s friend for more than 30 years, reminisces about this German-born prodigy who became one of Canada’s leading musical luminaries.
The Singing Community Grieves Again - Lyndon Woodside Remembered
by Gail Watson
Classical Singer honors the life of renowned choral director Lyndon Woodside, a good friend of Carla Wood. We can only imagine what musical feats the two are accomplishing together now.
Columns
How to Set up a Singer's Home Office
by Eileen Strempel
Staying organized can be a time-consuming and never-ending task! Here are some tips to help you organize those piles that are cluttering up your desk.
Dr. Jahn: A Little Q&A
by Anthony Jahn, M.D.
Dr. Anthony Jahn shares his wisdom and solutions for dealing with acid reflux, getting light-headed while singing, treating asthma as a singer, handling sinus problems and choosing a singer-friendly hearing aid. As always, the advice is free for the taking!
Studying in Germany, Courtesy of the U.S. Government - The First Few Hours
by Jennifer Porto
Walk with Ms. Porto along the streets of Frankfurt, Germany, in the second installment in a series of articles highlighting her Fulbright adventures. Take part in her first moments as a Fellow—minus, thank goodness, the jet lag!
To Cruise Or Not To Cruise
by Steven Jepson
Winter is fast approaching, and things are going a bit slow with the career. Your last performance was months ago. Bills are beginning to pile up. Auditions are getting to be a bit expensive. You long for a change. Why not work on a cruise ship? A cruise ship?
Spotlight on the 2005-2006 Certified Classical Singers
by CS Staff
Each month Classical Singer highlights two of the fourteen singers chosen by our panel of distinguished judges from more than 200 applicants as having a ready-to-go audition package appropriate to their Artist Division. This month we spotlight Arlene Alvarado from the Emerging Professional Division and Rochelle Bard from the Professional Division. We hope to see you at the next AudComps - May 2006 in Philadelphia!
Time Stands Still - A Formula for Developing Artistry
by Zoe Vandermeer
Looking for a way to take your singing to the next level? In this interview and discussion with Louis Menendez, he shares his formula for digging deep into the music and yourself to create real magic.
Applause- Who Needs It? - The Corruption of Praise
by Daniel Levinson, MD
Has applause become so perfunctory that it doesn’t really mean anything anymore? Is the standing ovation such the norm that it no longer signifies an extraordinary performance? Dr. Levinson examines these questions and offers a few more meaningful alternatives.
Nasaltiy in the Tenor Voice - Causes and Solutions
by David L Jones
“Please have an article that addresses reducing a nasal sound in tenors. I understand that the sound must pierce through an orchestra and reach the listening audience, but must it be so strident? Ouch!” Here’s David Jones’ response to this recent request from a CS reader.
How to Organize a Non-Profit Benefit Concert
by Mark Stoddard
Most of us have felt an urgency to help victims of Hurricane Katrina. Organizing a benefit concert can be a terrific way to be part of the solution, and that feels great. Below are excerpts from Mark Stoddard’s “Benefit Concert” handbook to help make your concert a huge success. To download the full handbook, free of charge, visit www.classicalsinger.com/charity/shs.
School of Rock
by Amanda White
Rock musicians have a lot to teach us. They have their own marketing techniques and performance practices, which classical singers can adapt to their own careers.
Is Alexander a Great Technique for Singers?
by Tara Sullivan
The Alexander Technique is fast becoming a household name among singers. A new book details the Alexander Technique and its connection to singing. Tara Sullivan reviews Voice and the Alexander Technique, by Jane Heirich
E-mail Ettiquette: - Erda Gets Crotchety
by Cindy Sadler
Technology has changed the face of business, including the singing business. Don’t let it pass you by—here’s Erda on how to use the waves of the future to ensure your successful future.
In Every Issue
What's In a Name, Really?
by Sara Thomas
Letters to the Editor
by CS Staff
Center Stage - Cordell Fannin, Soprano
by CS Staff
Bulletin Board
by Maria Nockin
