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September 2010 Classical Singer Issue Adjusting to the Inner Dramatic - Christine Goerke Dramatic soprano Christine Goerke didn’t take the typical career path to her current international career. Her musical studies began on the clarinet, and her first musical aspirations were in music education. Even after finding her voice, she didn’t attend a big name school or have important connections until sheer talent, hard work, and a bit of luck landed her in the Met’s Lindemann Young Artist Development Program. Now in the midst of a burgeoning career, Goerke shares how she has continued to find success in the midst of Fach changes, marriage, C-sections, and more. Read This Article
Opera Fort Collins holds court with 'Rigoletto' -- The Coloradoan
High School & University Competition
Registration Open. Register NOW. Compete in the new Online Preliminary Round or at one of the 50 different Live locations.
Competition Video Watch our newest video reveiwing past years of the Competition and looking forward to this year.
Classical Singer Archive Spotlight August 2006 This issue features an in depth interview with Rod Gilfry. It also has an interview with the Classical Singer 2006 Voice Teacher of the Year, Martile Rowland. More >
Carla Wood - Scholarship Details To make donations to the scholarship fund in honor of Carla Wood at Brigham Young University School of Music, please send checks payable to Brigham Young University-Carla Wood Memorial Scholarship.
Mail to:
Varden Hadfield
A-501 HFAC
Provo UT 84602
Audition Alerts Latest Auditions
St. Alban's Episcopal Church, DC Audition Type: Church/Temple Role Type: Chorus Level: Professional Los Angeles Master Chorale, CA Audition Type: Concert Role Type: Chorus Level: Professional Opéra de Montréal - QC, Canada Audition Type: Young Artist Role Type: Secondary Level: Emerging Professional View the complete AUDITIONS listings.
Whether prospective voice student, seasoned singer, or anywhere in between, you may find yourself pondering the possibilities of musical careers. Three women who have crossed over into the predominantly male, administrative side of opera discuss what...